Shin Kwang Ho is a Korean artist known for his emotionally charged, expressive portraits. His work captures the depth of human emotions through bold brushstrokes and striking color palettes. Initially drawn to extreme realism, Shin later transitioned to expressionism, allowing his emotions to shape his art in a more raw and intuitive way. Inspired by artists such as Lee Tae-kyung, Gerhard Richter, and Lucian Freud, he has developed a distinctive style that conveys intensity and vulnerability. His paintings often explore the complex relationship between color, texture, and emotion, making each piece a deeply personal reflection of his artistic journey. To gain deeper insight into his artistic philosophy and creative process, I had the opportunity to interview Shin Kwang Ho. In our conversation, he shared his journey, inspirations, and the emotions that drive his work.
Thank you for joining us today. To start, can you tell us when your passion for art began?
It’s hard to say exactly when it started, but I’ve always loved making things and drawing since I was young. I used to create things with my hands, and that naturally led me to drawing cartoons.
That’s fascinating! You mentioned that an art high school opened in your hometown, Pohang. How did that influence your journey as an artist?
Yes! When the school opened, I felt like something special was waiting for me there. So, I enrolled and started taking art seriously. That was when I truly began to think deeply about my path as an artist.
Were there any artists or teachers who had a strong impact on your artistic development?
Definitely. My high school teacher had a big influence on me. I still remember the first drawing that truly shocked me—it was a child’s drawing of a lotus flower. That moment inspired me to pursue art seriously. Later, in college, I was drawn to extreme realism, but over time, I became more interested in expressionism.
What led you to transition from realism to expressionism?
It was a combination of emotions and personal experiences. I didn’t have other ways to relieve stress—I didn’t drink or smoke—so art became my way of telling a story. When I was in my third year of college, I started focusing on expressionist works.
You mentioned some artists who influenced you. Can you talk more about them?
Sure. Among Korean artists, Lee Tae-kyung’s work made me realize that such artistic styles existed. I was also influenced by Gerhard Richter, Lucian Freud, and Alex Kanevsky. I didn’t directly imitate them, but I absorbed different elements that I liked from their works.
That’s really interesting. Can you walk us through your creative process? How do you begin a new painting?
It depends, but usually, I start with a blank canvas. In Korea, I tend to build everything from scratch rather than working on a pre-prepared canvas. Sometimes, I have no clear plan—I just apply oil, process it, and let the work evolve. The process can take two to three days.
Do you have a specific story in mind when you create, or is it more about emotions?
I don’t necessarily want to tell a particular story. My work is more about capturing emotions in the moment and pouring them into the canvas. It’s a way of finding myself.
You mentioned that colours play a big role in your process. How do you decide which colours to use?
The feeling I get from a blank canvas is different from when I add colour . Each new colour changes the atmosphere, and I interact with those emotions as I paint. It’s like a conversation between me and the canvas, layer by layer. Before I know it, the painting is complete.
That’s a beautiful way to describe it. what message do you hope people take away from your art?
I don’t necessarily want to send a specific message. I just want people to feel something when they see my work. Whether it’s joy, sadness, or something else, the important thing is the emotional connection.
Has there ever been a particularly memorable reaction from someone viewing your art?
When exhibiting in New York, I was visited by African American brothers who tilted their heads while doing a handshake with me. We never said a word, but we greeted each other like friends. That silent exchange was meaningful to me.
You mentioned that emotions play a big role in your work. Have you ever looked at a finished piece and been surprised by what it revealed about you?
I tend to focus with great intensity when I paint, so I don’t always remember how I made the work once it’s completed. I often feel awe or a kind of wonder regarding how it came to be. I don’t retain specific intentions or habits.
How do you handle creative blocks? Are there any rituals or habits that help you get into the flow of painting?
The most difficult stage of painting for me is before I begin, on a blank canvas. I usually continue on painting with ease once I start, but overcoming the kinds of thrill and fear before beginning the process is the most challenging part.
Finally,If you could give one piece of advice to aspiring artists, what would it be?
I believe I’m doing well enough in my own way. Every artist should find their own path.
Thank you for sharing your journey and insights with us. Your passion for art is truly inspiring!
This interview was conducted via email on March 1, 2025.
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